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Jamie Holdham

Beethoven - Symphony No.6. Mvt 2. {Professional production full score.} Unfinished.

Jamie Holdham

1:18	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Corni in B	4	3	0	4	100%
2-Solo Violoncelli con Sord.	11	0	0	2	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Corni in B	4	3	0	4	100%
2-Solo Violoncelli con Sord.	11	0	0	2	100%
Viola	9	0	0	2	100%
Violino I	15	0	2	6	100%
Violino II	8	0	0	2	100%
Violoncello e Contrabasso	6	0	0	2	100%
2 Clarinetti in B	12	1	0	6	80%
2 Oboi	9	5	0	3	71%
2 Fagotti	10	1	0	5	68%
2 Flauti	6	7	0	1	62%

Preview Score Except.

Jamie Holdham

0:12	Est. Play Time
4	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Fag.	13	9	0	4	100%
3 FLOTEN.	8	0	0	6	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Fag.	13	9	0	4	100%
3 FLOTEN.	8	0	0	6	100%
3 HOBOEN.	8	0	0	6	100%
4 Hr. in F.	17	5	2	6	100%
B♭ Bass Clarinet (Bass Clef)	9	0	0	2	100%
B♭ Clarinet	11	4	2	6	100%
Englisch Horner.	10	0	2	5	100%
Kontrabasse.	8	0	0	1	88%
2 Pauken.	4	0	0	3	50%
Violoncello.	2	1	0	1	25%

Vivaldi - Gloria. (IX: Cum Sancto Spirito.) {Professional production full score.} Unfinished.

Jamie Holdham

1:31	Est. Play Time
107	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	16	0	2	6	95%
Violino 1	13	0	2	6	74%
View all 12 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	16	2	6	95%
Violino 1	13	2	6	74%
Bassoon	15	2	6	71%
Contrabasses	15	2	6	71%
Oboe	12	1	6	71%
Viola	10	1	7	71%
Soprano	12	2	6	69%
Violino 2	12	2	6	69%
Tenore	7	1	7	64%
Alto	9	1	6	62%
Basso	13	2	6	57%
Tromba	7	1	5	26%

Wagner - Huldigungsmarsch. {Professional production full score.} Unfinished.

Jamie Holdham

0:58	Est. Play Time
119	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 CLARINETTEN in B.	17	2	5	6	96%
2 OBOEN.	15	1	5	6	96%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 CLARINETTEN in B.	17	2	5	6	96%
2 OBOEN.	15	1	5	6	96%
2 VENTILHORNER in Es.	13	2	3	4	91%
2 VENTILHORNER in F.	16	2	5	6	91%
BRATSCHEN.	16	3	3	6	77%
Violoncelle.	20	0	2	6	68%
2 grosse Floten.	14	2	3	5	61%
2 FAGOTTE.	20	10	6	4	57%
BASSCLARINETTE in B.	14	0	3	4	55%
Contrabasse.	12	0	1	3	55%
Zweite Violinen.	14	3	3	8	55%
Erste Violinen.	19	2	4	7	45%
1te u: 2te VENTILTROMPETE in F.	4	2	0	2	27%
2 TENORPOSAUNEN.	4	2	0	2	27%
3te VENTILTROMPETE.	1	0	0	2	27%
BASSPOSAUNE.	1	0	0	2	27%
Tuba.	2	0	0	2	27%

Buxtehude - Prelude in G Major. {Professional production score.}

Jamie Holdham

3:26	Est. Play Time
72	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manuels Pedale	20	2	5	10	89%
	15	4	2	8	84%
	20	0	4	5	68%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manuels Pedale	20	2	5	10	89%
	15	4	2	8	84%
	20	0	4	5	68%

Buxtehude - Toccata in F Major. {Professional production score.} Unfinished.

Jamie Holdham

2:09	Est. Play Time
102	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	21	9	5	9	88%
	13	4	2	9	87%
	14	0	1	6	82%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	21	9	5	9	88%
	13	4	2	9	87%
	14	0	1	6	82%

Buxtehude - Var.IV: La Capricciosa. {Professional production score.}

Jamie Holdham

0:38	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		10	0	0	5	100%
		17	0	2	6	71%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		10	0	0	5	100%
		17	0	2	6	71%

Buxtehude - Var.XI: La Capricciosa. {Professional production score.}

Jamie Holdham

0:38	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	1	1	5	77%
		19	1	2	6	88%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	1	1	5	77%
		19	1	2	6	88%

Wagner - Die Miestersinger Von Nurenberg Overture to Akt 1. [Professional production full score.]

Jamie Holdham

1:24	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
Violoncelle.	25	2	8	7	100%
2 FAGOTTE.	29	15	10	6	98%
1. VIOLINEN.	22	12	4	5	96%
4 HORNER in F.	17	0	5	6	96%
Contrabasse.	19	0	6	6	96%
Horn in F	14	0	4	6	88%
3 POSAUNEN.	13	0	4	6	82%
2 HOBOEN.	17	0	5	4	82%
BASS-TUBA.	23	0	5	6	79%
2 CLARINETTEN. in B.	15	0	4	4	77%
1 und 2 (F). 3 TROMPETTEN. 3 (C).	12	2	1	6	77%
Bass Trombone	14	0	2	6	68%
PAUKEN (C u.G).	2	0	0	2	29%
2 GROSSE FLOTEN.	7	0	1	2	25%
C Trumpet	5	0	0	4	25%

Buxtehude - Var.XIII. La Capricciosa. {Professional production score.}

Jamie Holdham

0:42	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	0	2	7	93%
		18	0	1	8	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		18	0	2	7	93%
		18	0	1	8	93%

Buxtehude - Aria: La Capricciosa. {Professional production score.}

Jamie Holdham

0:38	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		13	3	0	7	100%
		15	0	2	6	84%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		13	3	0	7	100%
		15	0	2	6	84%

Gustav Holst - Venus. {Professional production full score.}

Jamie Holdham

2:45	Est. Play Time
145	Measures
	1,166Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I II	19	23	5	5	58%
	12	9	5	6	67%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I II	19	23	5	5	58%
	12	9	5	6	67%
III IV	17	15	5	5	61%
	10	3	3	4	40%
3 OBOES	19	15	6	5	53%
1st Violins	14	0	2	7	53%
3 CLARINETS in B♭	22	26	10	6	52%
2nd Violins	9	0	2	7	43%
Harp I	15	19	2	1	30%
	3	1	0	1	17%
English Horn	2	0	1	4	30%
Violoncellos	13	0	2	4	30%
DOUBLEBASSES	7	0	0	4	23%
Harp II	13	14	2	1	22%
	9	7	2	1	19%
3 BASSOONS	5	2	0	2	20%
Bass Clarinet in B♭	7	0	1	4	17%
V VI	2	1	0	1	9%
Celesta	4	0	0	1	4%
	4	3	1	1	4%
DOUBLE BASSOON	1	0	0	2	4%
Glockenspiel	4	0	0	2	4%
Violas	8	0	1	2	4%